Album Review: Chicago Sun-Times
"A newly independent Moby reconnected with his roots on the dance floor and the spark of his 1992 breakthrough "Go" on his last release, "Last Night" (2008), and now, with the new "Wait for Me," he's finally made another album that recaptures the unique emotions of "Play," if not the then-startling invention. This is to say that as the languid, echoing, strings- and piano-laden tracks of his newest leisurely unfold in the Sunday-morning chill-out vibe after a sweaty night of ecstasy, he doesn't reveal any new tricks as a songwriter or a producer. But nobody does this sound better."
Read the full review: http://bit.ly/26Cht
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Poor Ms. Thomas-Rasset, poor RIAA
The path that starts with two bad actions rarely produces anything good; math-wise, it should, yet it doesn't. I appreciate your sentiment, Moby, as much for the honesty as humility--two qualities rarely seen in stars these days. A great industrial musician said something in the late 80's that stuck with me. This person remarked that it would not be too long before people would start to make the music they wanted to listen to, and that collaboration was the key to sustaining the craft.
I went almost one year listening to just my own, homemade music--and talk radio. The appreciation that I gained prevents me from using Kazaa or Limewire, but that's my choice. RIAA did not do its job in staying current, and thus was done a disservice to musicians. Many thanks to you and bands like the Flaming Lips for giving us access to their music, and allowing the fans to nibble or devour the whole entree as we wish.